{"id":7073,"date":"2025-08-08T08:56:51","date_gmt":"2025-08-08T08:56:51","guid":{"rendered":"https:\/\/salchichas.art\/camila\/?post_type=portfolio&p=7073"},"modified":"2025-08-08T09:15:42","modified_gmt":"2025-08-08T09:15:42","slug":"anar-per-terra","status":"publish","type":"portfolio","link":"https:\/\/salchichas.art\/camila\/anar-per-terra\/","title":{"rendered":"Anar per terra"},"content":{"rendered":"

\u201cSomos una especie que habita cuevas. No estamos hechos para dormir a la intemperie; perdimos el pelo y la piel se nos ha vuelto cada vez m\u00e1s fina. Los habit\u00e1culos nos protegen, nos calientan y guardan nuestros vestigios. Acumulan todo tipo de historias: escombros, sillas, materia org\u00e1nica, s\u00e1banas que nos marcan la piel, mordiscos, cucharas, cepillos que han dedicado su existencia a limpiarnos los dientes.<\/span><\/p>\n

Algunos de estos fragmentos se mudan con nosotros a lo largo de la vida formando una segunda piel. Otros nos cuelgan como trofeos o ap\u00e9ndices in\u00fatiles. Nuestro cuerpo se funde con las ruinas en piezas de un rompecabezas que no encajan del todo, forzadas a convivir. Nos transformamos en cada umbral que cruzamos, moldeandonos a los contornos de nuevas cavernas que nos acogen. Susurramos gratitud a estos refugios, a estas geograf\u00edas \u00edntimas que nos cobijan. El derecho a un hogar digno, a un simple resguardo: derecho fundamental, necesidad primera, eco hom\u00ednido buscando la cueva donde reposar nuestros huesos.\u201d<\/span><\/p>\n

Aquesta descripci\u00f3 inicial constitueix la premissa conceptual d’<\/span>Anar per Terra<\/span><\/i>, projecte en qu\u00e8 es presenten una s\u00e8rie d’instal\u00b7lacions cer\u00e0miques que exploren les nostres formes contempor\u00e0nies d’habitar els marges. A trav\u00e9s de la terra com a material germinal, aquestes peces interroguen tres dimensions fonamentals: el dret de l’\u00e9sser hum\u00e0 al refugi i la necessitat ancestral d’habitar un lloc protegit; l’experi\u00e8ncia de viure en l’esquerda, en els \u00abno llocs\u00bb \u2014f\u00edsics, culturals i simb\u00f2lics\u2014 on la identitat es forja en la tensi\u00f3 de no pert\u00e0nyer completament, revelant la fissura com a territori de potencialitat creativa; i finalment, la creaci\u00f3 d’objectes art\u00edstics despr\u00e9s de trobades col\u00b7lectives comunit\u00e0ries.<\/span><\/p>\n

Aquest projecte sorgeix d’una investigaci\u00f3 participativa desenvolupada a trav\u00e9s de trobades amb grups que habiten aquestes esquerdes contempor\u00e0nies. Des de les subjectivitats compartides en el proc\u00e9s, l’artista ha extret inspiraci\u00f3 d’aquestes trobades per generar objectes que intenten condensar el tractat dins dels col\u00b7lectius. Les instal\u00b7lacions funcionen com a traduccions po\u00e8tiques d’experi\u00e8ncies viscudes, materialitzant-se en peces que dialoguen entre la fragilitat i la resist\u00e8ncia, convertint la terra en diposit\u00e0ria de mem\u00f2ries, abs\u00e8ncies i possibilitats de transformaci\u00f3.<\/span><\/p>\n

El projecte va ser concebut com a proc\u00e9s integral: investigaci\u00f3 i resultat. La investigaci\u00f3 va comen\u00e7ar amb trobades entre La Volta, el B\u00f2lit i l’artista per teixir una col\u00b7laboraci\u00f3 que s’arrel\u00e9s a la ciutat. Dins d’aquest exercici va sorgir la col\u00b7laboraci\u00f3 amb el Col\u00b7lectiu La Inc\u00f2moda, agrupaci\u00f3 del barri Sant Narc\u00eds que porta anys treballant en comunitat i que actualment debat la crisi habitacional que travessa la ciutat.<\/span><\/p>\n

A partir d’aquesta premissa es van plantejar tres tallers: <\/span>La caverna<\/span><\/i>, <\/span>El buit<\/span><\/i> i <\/span>La planta d’una casa de la mem\u00f2ria<\/span><\/i>. A trav\u00e9s d’aquestes trobades es va parlar amb les mans i mitjan\u00e7ant el fang. Es van compartir hist\u00f2ries, es van observar les peces ser admirades, col\u00b7lapsar i ren\u00e0ixer. El fang com a vehicle \u2014i no com a resultat\u2014 era la premissa d’aquestes trobades.<\/span><\/p>\n

Anar per Terra<\/span><\/i> compta amb la col\u00b7laboraci\u00f3 de l’artista Manel Quintana en el desenvolupament expositiu i de la ceramista Provi Casals, que ha assessorat el proc\u00e9s t\u00e8cnic de les peces cer\u00e0miques.<\/span><\/p>\n

Aquest projecte ha estat desenvolupat en col\u00b7laboraci\u00f3 amb el projecte de La Inc\u00f2moda, del qual formen part el Centre C\u00edvic Sant Narc\u00eds, La Volta, l’Associaci\u00f3 Ve\u00efns Sant Narc\u00eds, SBAS Sant Narc\u00eds, la resid\u00e8ncia MIFAS, i artistes i participants dels tallers.<\/span><\/p>\n

…<\/p>\n

\u00abWe are a cave-dwelling species. We are not made to sleep in the open; we lost our hair and our skin has become thinner. Dwellings protect us, warm us, and store our traces. They accumulate all kinds of stories: rubble, chairs, organic matter, sheets that mark our skin, bite marks, spoons, brushes that have dedicated their lives to cleaning our teeth.<\/span><\/em><\/span><\/p>\n

Some of these fragments move with us throughout life, forming a second skin. Others hang from us like trophies or useless organs. Our body merges with ruins like puzzle pieces that don’t quite fit, forced to coexist. We transform at every threshold we cross, molding ourselves to the contours of new caverns that shelter us. We whisper gratitude to these refuges, to these intimate geographies that protect us. The right to a decent home, to simple shelter is a fundamental right, a primary need, an echo of our hominid self seeking the cave where our bones can rest.\u00bb<\/span><\/em><\/span><\/p>\n

This initial description constitutes the conceptual premise of \u00ab<\/span>Anar per Terra\u00bb<\/span>, a project presenting a series of ceramic installations that explore our contemporary ways of inhabiting the margins. Through earth as germinal material, these pieces interrogate three fundamental dimensions: the human right to shelter; the experience of living in the cracks, in the \u00abnon-places\u00bb\u2014physical, cultural, and symbolic\u2014where identity is forged in the tension of not completely belonging, revealing the borderland as territory of creative potential; and finally, the creation of artistic objects following collective community sessions.<\/span><\/em><\/span><\/p>\n

This project emerges from participatory research developed through encounters with groups that inhabit these contemporary cracks. From the subjectivities shared in the process, the artist has drawn inspiration from these exchanges to generate objects that attempt to condense what was addressed within the group. The installations are poetic translations of lived experiences, materializing the dialogue between fragility and resistance, turning earth into a repository of memories, absences, and possibilities for transformation.<\/span><\/em><\/span><\/p>\n

The project was conceived as an integral process: research and result. The research began with encounters between La Volta, B\u00f3lit, and the artist to weave a collaboration rooted in the city. Within this exercise emerged the exchanges with Colectivo La Inc\u00f2moda, a group from the Sant Narc\u00eds neighborhood that has been working in the community for years and currently debates the housing crisis affecting the city.<\/span><\/em><\/span><\/p>\n

From this premise, three workshops were proposed: <\/span>The Cave<\/span>, <\/span>The Void<\/span>, and <\/span>The Floor Plan of a House of Memory<\/span>. Through these encounters, people spoke with their hands and through clay. Stories were shared, pieces were observed being admired, collapsing, and being reborn. Clay as a vehicle\u2014not as result\u2014was the premise of these encounters.<\/span><\/em><\/span><\/p>\n

\u00abAnar per Terra\u00bb<\/span> features collaboration from artist Manel Quintana in exhibition development and ceramist Provi Casals, who has advised the technical process of the ceramic pieces.<\/span><\/em><\/span><\/p>\n

This project has been developed in collaboration with the La Inc\u00f2moda project, which includes Centre C\u00edvic Sant Narc\u00eds, La Volta, Associaci\u00f3 Ve\u00efns Sant Narc\u00eds, SBAS Sant Narc\u00eds, MIFAS residence, and artists and workshop participants.<\/span><\/em><\/span><\/p>\n

 <\/p>\n

Participantes:<\/span><\/p>\n

Anna Castilla<\/span><\/p>\n

Laura Ciurana<\/span><\/p>\n

Moufida El Hayani<\/span><\/p>\n

Edgar Fern\u00e1ndez Garrido<\/span><\/p>\n

Teresa Jim\u00e9nez Torres<\/span><\/p>\n

Irene Jim\u00e9nez Mu\u00f1oz<\/span><\/p>\n

Cristina Labi\u00e1n Roca<\/span><\/p>\n

Teia Lagos Jim\u00e9nez<\/span><\/p>\n

\u00c1ngel Luj\u00e1n Batlle (\u2020 2025)<\/span><\/p>\n

N\u00faria Masseg\u00fa Roger<\/span><\/p>\n

Elisa Murillo Ibarg\u00fcen<\/span><\/p>\n

Laura Pinos Noguera<\/span><\/p>\n

Quim Plana Planella<\/span><\/p>\n

Nuri Rabot<\/span><\/p>\n

Sohaila Riffi Metals<\/span><\/p>\n

 <\/p>\n

Sanata Daou Traor\u00e9<\/span> (soporte)<\/span><\/span><\/p>\n

Nauel Contarino Medina <\/span>(coordinaci\u00f3n)<\/span><\/span><\/p>\n





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\u201cSomos una especie que habita cuevas. No estamos hechos para dormir a la intemperie; perdimos el pelo y la piel se nos ha vuelto cada vez m\u00e1s fina. Los habit\u00e1culos nos protegen, nos calientan y guardan nuestros vestigios. Acumulan todo tipo de historias: escombros, sillas, materia org\u00e1nica, s\u00e1banas que nos marcan la piel, mordiscos, cucharas,…<\/p>\n","protected":false},"author":2,"featured_media":7120,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_background_id":0,"_xo_background":{"id":0,"size":"auto","position_x":"left","position_y":"top","color":"","gradient":"","custom_gradient":"","repeat":true,"attachment":true,"enable_color":false},"footnotes":"","_links_to":"","_links_to_target":""},"portfolio_category":[65,66],"portfolio_tag":[],"class_list":["post-7073","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-barro","portfolio_category-maria-camila"],"acf":[],"_links":{"self":[{"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/portfolio\/7073","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/comments?post=7073"}],"version-history":[{"count":3,"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/portfolio\/7073\/revisions"}],"predecessor-version":[{"id":7122,"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/portfolio\/7073\/revisions\/7122"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/media\/7120"}],"wp:attachment":[{"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/media?parent=7073"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/portfolio_category?post=7073"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/salchichas.art\/camila\/wp-json\/wp\/v2\/portfolio_tag?post=7073"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}