{"id":7157,"date":"2026-05-12T17:17:05","date_gmt":"2026-05-12T17:17:05","guid":{"rendered":"https:\/\/salchichas.art\/manel\/?post_type=portfolio&p=7157"},"modified":"2026-05-12T17:43:53","modified_gmt":"2026-05-12T17:43:53","slug":"aura-microperes-macba","status":"publish","type":"portfolio","link":"https:\/\/salchichas.art\/manel\/aura-microperes-macba\/","title":{"rendered":"AURA"},"content":{"rendered":"

Aura, a 21st-century opera conceived by the poet Gabriel Ventura, the composer Marina Herlop and the visual artist Rosa Tharrats, is presented as a stage evocation with mediaeval influences and a strong pantheist component.<\/span>
\nSet in the 13th century, the protagonist of Aura, fleeing from a world devastated by the wars and crusades of pope Innocent III, takes refuge in a forest in Languedoc. There she finds a spring, where the Angel of the Waters appears to her, and they talk about her condition as A refugee. Water, in its different forms, is revealed to her as a \u201cdoor and mirror\u201d, as hope and \u201cgrace of thought\u201d.<\/span>
\nInspired by the visions of women mystics like Hildegard von Bingen, as well as the forms of representation in Romanesque art (hieratism, breaking with the space-time dimension and so on), Aura features melismatic chants and digital echoes, inhabited by water spirits and voices from the other side. Disembodied, plasmatic characters, perhaps creatures of an inter-species future.<\/span>
\nAura therefore stands not only as a paean to nature as a place of peace and refuge, of imagination, life and thought, with water as a central element, but also as a song against the devastation of war.<\/span>
\nIn a time like our own, with a pressing climate crisis, Aura reminds us of the germinating, purifying and repairing power of water as a basic element in both human beings and the planet, while highlighting an ecosophical awareness we must cling to and nurture if we are to survive and achieve a harmonious balance.<\/span><\/p>\n

…<\/span><\/p>\n

Aura, una \u00f2pera del segle XXI concebuda pel poeta Gabriel Ventura, la compositora Marina Herlop i l\u2019artista visual Rosa Tharrats, se\u2019ns presenta com una evocaci\u00f3 esc\u00e8nica de resson\u00e0ncies medievals amb un fort component panteista.<\/span>
\nSituada en el segle XIII, la protagonista d\u2019Aura fuig d\u2019un m\u00f3n devastat per les guerres de les croades del papa Inocenci III i es refugia en un bosc del Llenguadoc. All\u00e0 troba una font en qu\u00e8 se li apareix l\u2019\u00c0ngel de les Aig\u00fces, amb qui mant\u00e9 una conversa sobre la seva condici\u00f3 de refugiada. L\u2019aigua, en les seves diverses manifestacions, se li revela com a \u201cporta i mirall\u201d, com a esperan\u00e7a i \u201cgr\u00e0cia del pensament\u201d. <\/span>
\nInspirada en les visions de m\u00edstiques com Hildegarda de Bingen, aix\u00ed com en les formes de representaci\u00f3 de l\u2019art rom\u00e0nic (hieratisme, trencament de la dimensi\u00f3 espai-temps\u2026), Aura \u00e9s una invocaci\u00f3 de cants melism\u00e0tics i ecos digitals, poblada d\u2019\u00e9ssers aqu\u00e0tics i veus del m\u00e9s enll\u00e0. Personatges incorporis i plasm\u00e0tics, possibles criatures d\u2019un futur interesp\u00e8cie. <\/span>
\nAura es constitueix, aix\u00ed, no nom\u00e9s com un cant a la natura com a espai de pau i refugi, d\u2019imaginaci\u00f3, vida i pensament, amb l\u2019aigua com a element central, sin\u00f3 tamb\u00e9 com un cant contra les devastacions de la guerra. <\/span>
\nEn un temps com el nostre, d\u2019urgent crisi clim\u00e0tica, Aura ens recorda el poder germinador, purificador i reparador de l\u2019aigua com a element constitutiu de l\u2019\u00e9sser hum\u00e0 i el planeta, tot subratllant una consci\u00e8ncia ecos\u00f2fica que hem de conservar i propiciar per a la subsist\u00e8ncia i l\u2019equilibri harm\u00f2nic.<\/span><\/p>\n

….<\/span><\/p>\n

Aura, una \u00f3pera del siglo XXI concebida por el poeta Gabriel Ventura, la compositora Marina Herlop y la artista visual Rosa Tharrats, se nos presenta como una evocaci\u00f3n esc\u00e9nica de resonancias medievales con una marcada componente pante\u00edsta.<\/span>
\nA partir de la inquietud compartida sobre la crisis clim\u00e1tica, las comunicaciones interespecies y la ac\u00fastica de la naturaleza, se presenta un itinerario de reflexi\u00f3n art\u00edstica vertebrado por los sonidos, la palabra y la imagen. Cada instituci\u00f3n acoge una \u00f3pera multidisciplinar de nueva creaci\u00f3n, de entre 15 y 20 minutos de duraci\u00f3n, para ofrecer al p\u00fablico un recorrido \u00fanico que plantee nuevas visiones y cuestiones sobre aspectos que nos interpelan y nos afectan. <\/span>
\nSituada en el siglo XIII, la protagonista de Aura huye de un mundo devastado por las guerras de las cruzadas del papa Inocencio III y se refugia en un bosque del Languedoc. All\u00ed encuentra una fuente en la que se le aparece el \u00c1ngel de las Aguas, con quien mantiene una conversaci\u00f3n sobre su condici\u00f3n de refugiada. El agua, en sus diversas manifestaciones, se le revela como \u201cpuerta y espejo\u201d, como esperanza y \u201cgracia del pensamiento\u201d.<\/span>
\nInspirada en las visiones de m\u00edsticas como Hildegarda de Bingen, as\u00ed como en las formas de representaci\u00f3n del arte rom\u00e1nico (hieratismo, ruptura de la dimensi\u00f3n espacio-tiempo\u2026), Aura es una invocaci\u00f3n de cantos melism\u00e1ticos y ecos digitales, poblada de seres acu\u00e1ticos y voces del m\u00e1s all\u00e1. Personajes incorp\u00f3reos y plasm\u00e1ticos, posibles criaturas de un futuro interespecie.<\/span>
\nAs\u00ed, Aura no solo se constituye como un canto a la naturaleza como espacio de paz y refugio, de imaginaci\u00f3n, vida y pensamiento, con el agua como elemento central, sino tambi\u00e9n como un canto contra las devastaciones de la guerra.<\/span>
\nEn un tiempo como el nuestro, de urgente crisis clim\u00e1tica, Aura nos recuerda el poder germinador, purificador y reparador del agua como elemento constitutivo del ser humano y el planeta, y pone el acento en una conciencia ecos\u00f3fica que debemos conservar y propiciar para la subsistencia y el equilibrio arm\u00f3nico.<\/span><\/p>\n

………<\/span><\/p>\n

Una obra produ\u00efda per MACBA, Al Gran Teatre Liceu i CCCB amb la col\u00b7laboraci\u00f3 de Fundaci\u00f3 Sorigu\u00e9<\/strong><\/span>
\nLlibret:<\/strong> Gabriel Ventura<\/span>
\nComposici\u00f3:<\/strong> Marina Herlop<\/span>
\nDirecci\u00f3 d\u2019art:<\/strong> Rosa Tharrats<\/span>
\nDirecci\u00f3 d\u2019escena:<\/strong> Rosa Tharrats i Gabriel Ventura<\/span>
\nDirecci\u00f3 musical:<\/strong> Maria Mauri F\u00e0bregas<\/span><\/p>\n

Disseny d\u2019il\u00b7luminaci\u00f3:<\/strong> Manel Quintana Caralt<\/span>
\nInt\u00e8rprets:<\/strong><\/span>
\nAura:<\/strong> Marina Herlop<\/span>
\n\u00c0ngel de les Aig\u00fces:<\/strong> Clara Enrich-Genestar<\/span>
\nEspectre de la mare:<\/strong> Claudia Balletbo<\/span>
\nEsperits aqu\u00e0tics:<\/strong> Cor de cambra ARSinNOVA<\/span>
\nAssistent de vestuari:<\/strong> Manuel Mateos Paz<\/span>
\nMuntatge:<\/strong> Victor Jaenada i Jose Alcaniz<\/span>
\nOlor<\/strong>: Fundaci\u00f3 Vent\u00f3s<\/span><\/p>\n

Photo \u00a9 MACBA \/ Llui\u0301s Tudela<\/p>\n

2025<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Aura, a 21st-century opera conceived by the poet Gabriel Ventura, the composer Marina Herlop and the visual artist Rosa Tharrats, is presented as a stage evocation with mediaeval influences and a strong pantheist component. Set in the 13th century, the protagonist of Aura, fleeing from a world devastated by the wars and crusades of pope…<\/p>\n","protected":false},"author":2,"featured_media":7171,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_background_id":0,"_xo_background":[],"footnotes":"","_links_to":"","_links_to_target":""},"portfolio_category":[38,22,67],"portfolio_tag":[],"class_list":["post-7157","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-artes-escenicas","portfolio_category-instalaciones","portfolio_category-mnl-quintana"],"acf":[],"_links":{"self":[{"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/portfolio\/7157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/comments?post=7157"}],"version-history":[{"count":28,"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/portfolio\/7157\/revisions"}],"predecessor-version":[{"id":7205,"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/portfolio\/7157\/revisions\/7205"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/media\/7171"}],"wp:attachment":[{"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/media?parent=7157"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/portfolio_category?post=7157"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/salchichas.art\/manel\/wp-json\/wp\/v2\/portfolio_tag?post=7157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}